Disney stumbles once again with a lifeless recreation of one of their most popular animated films, The Lion King, that banks on the audience’s nostalgia for the 1994 animated film.
Stranger Things Season 3 is a much more memorable follow-up to Season 2 with more of the drama, tenderness, and fun that made the first season such a phenomenon.
Alexandre Aja’s new film, Crawl, fails to deliver entertainment with its ridiculous premise and is even dumber than the trailers made it look.
Tom Konkle’s Trouble Is My Business is a faithful love letter to film noir classics of the 1940’s that’s sometimes held back by its story and tonal issues.
In this first edition of Artist Close-Up, we interview Malaysian filmmaker Michael Wong about his career and his new micro-short film, The Tattooist!
Ari Aster’s Midsommar, the spiritual followup to last year’s Hereditary, has much of the same intrigue but is a little too self-indulgent and lacking in story.
Spider-Man: Far From Home is a solid sequel with some clunky humor and a drab first half but picks up significantly by its end.
Annabelle Comes Home, the seventh installment in The Conjuring universe, is the worst film in its namesake series and the worst in its cinematic universe as well.