Insidious: The Last Key, the fourth installment of the horror franchise, is a decent watch but feels like a far cry from the quality of the first couple films.
The Greatest Showman is an entertaining romp that’s hamstrung by a questionable musical style and a selfish main character.
With 2017 in the books, let’s take a look back at our personal favorites from this year! *Spoilers Ahead*
The Shape of Water is the wonderfully dark fairy tale that it looked to be in its trailer and is among the elite films of 2017.
Star Wars: The Last Jedi, the eighth installment of the Star Wars saga, suffers from a number of missteps but still boasts some fantastic sequences that capture the very essence of the series.
Over the past year and a half, we’ve discussed the Star Wars franchise a few times already. With Star Wars: The Last Jedi only days away, let’s just get it all out there with the good, the bad, and the ugly of the beloved saga set in a galaxy far, far away in this installment of Cinema Smack’s Best & Worst! *Spoilers Ahead*
Greta Gerwig’s Lady Bird doesn’t cover any new ground as it follows a teenage girl’s transition from high school to college but is so enjoyable and relatable that the result is one of the best films of 2017.
Disney and Pixar’s newest collaboration, Coco, is an emotionally and aesthetically wonderful film that ranks among the best of the year.
Last year, Stranger Things set the world on fire with its likable characters, Stephen King-esque story, and 1980’s throwback feel. Does the second season of the popular Netflix show meet its high expectations? *Minor Spoilers Ahead*
Last week, the finale for the seventh season of American Horror Story, subtitled Cult, aired on FX. In recent seasons, the show has veered from its original formula. Does Cult get the show back to where it should be or does it continue the trend of straying farther from the horror genre? *Minor Spoilers Ahead*