Despite controversies surrounding the film, Craig Zobel’s The Hunt is a violently entertaining satire on the state of modern day America.
Autumn de Wilde’s feature length debut, Emma., is a charming and fun version of the oft-adapted Jane Austen novel of the same name.
Leigh Whannell’s new film, The Invisible Man, isn’t a faithful adaptation of the H.G. Wells novel but is an effective horror film with some fine performances and legitimate thrills.
As one of the most iconic video game characters of all time, Sonic the Hedgehog finally gets his own movie but, sadly, it’s average at best and at least twenty years too late.
Cathy Yan’s sophomore feature, Birds of Prey, is worlds better than Suicide Squad as a fun and colorful tale with girl power at its core.
Gretel & Hansel, Osgood Perkins’ horror adaptation of the classic folk tale, looks nice with its artsy feel but is slow and plodding when it comes to story.
Guy Ritchie thankfully returns to his crime genre roots in a messy, but amusing, romp in The Gentlemen.
William Eubank’s new sci-fi/horror film, Underwater, is a surprisingly good January film with its claustrophobic feel and Alien-esque tone.
Writer/director Sam Mendes changes the game with his perfect technological marvel of a war drama in 1917.
The 2020 version of The Grudge boasts an impressive cast but fails at every conceivable level to scare, shock, or entertain.