Brian Levin’s debut feature, UNION BRIDGE, is very well shot and acted but feels painfully slow due to the lack of an engaging story.
Indie Film Review: Union Bridge
Category: Indie Films
Indie Film Review: Wastelands
Kemal Yildirim’s new feature film, WASTELANDS, displays his technical filmmaking prowess but has a little too much going on in terms of its story.
Indie Film Review: South Mountain
Hilary Brougher’s newest feature film, South Mountain, may focus on a crumbling marriage but it also promotes the everlasting tenderness of family.
Indie Film Review: Softness of Bodies
Jordan Blady’s debut feature, Softness of Bodies, is a tale of a troubled young woman’s directionless life and her transition (or lack thereof) into adulthood.
Indie Film Review: Why Don’t You Just Die!
Kirill Sokolov’s debut feature Why Don’t You Just Die! is a violent and bloody affair in the vein of Quentin Tarantino with plenty of black comedy strewn about in the chaos.
Indie Film Review: She’s Allergic to Cats
Michael Reich’s surreal comedy/horror/romance/whatever you want to call it is a spectacle you need to judge for yourself.
Indie Film Review: Feedback
Pedro C. Alonso’s debut feature, Feedback, is a suspenseful and dramatic hostage story with great performances from its leads.
Indie Film Review – Blood Hunters: Rise of the Hybrids
Vincent Soberano’s new martial arts flick, Blood Hunters: Rise of the Hybrids, is bold in scope but bites off a little more than it can chew.
Indie Film Review: What Love Looks Like
Alex Magaña’s newest film, What Love Looks Like, is an anthology that maintains the writer/director’s playful tone but lacks an overall story and falls a little flat.
Indie Film Review: M.O.M. (Mothers of Monsters)
Tucia Lyman’s feature film debut, M.O.M. (Mothers of Monsters), is an effective psychological thriller with an intriguing story that somewhat peters out by the end.
