RELIC, the debut feature from Natalie Erika James, is an uneasy and suspenseful tale with themes of aging and mortality at its forefront.
SHIRLEY, the aptly titled biopic on horror author Shirley Jackson, features a wonderful performance from Elisabeth Moss but loses focus far too often.
BABYTEETH, the feature film debut from director Shannon Murphy, is a heartfelt story of a chronically ill teenager’s relationship with a drug dealer.
While hampered from having a few too many ideas, SAINT FRANCES is a heartwarming tale of friendship, family, and self discovery.
Spike Lee gives viewers another emotionally heavy story hampered by too much plot and a dose of that unavoidable Spike Lee propaganda in DA 5 BLOODS.
Kitty Green’s sensitive new drama, THE ASSISTANT, sheds a light on the importance of the #MeToo movement in entertainment and society in general.
Andrew Patterson’s directorial debut, THE VAST OF NIGHT, is a sci-fi throwback that will chill viewers to the bone while leaving them clamoring for more.
Brandon Cronenberg’s new psychological body horror film, Possessor, assaults the senses with its brutal violence and mind-bending story.
Josh Trank’s aptly titled biopic, CAPONE, spotlights Tom Hardy as the aging, dementia-ridden mob boss in an emotionally devoid mess of a film.
SWALLOW, the debut feature from writer/director Carlo Mirabella-Davis, is an uncomfortably bizarre trip into a young pregnant woman’s harmful addiction.