J Blakeson’s I CARE A LOT tells a thrilling tale about horrible people doing horrible things for nothing more than financial gain.
Kornél Mondruczó’s new film, PIECES OF A WOMAN, is a beautifully distressing look at a young couple’s life in the wake of horrible tragedy.
David Fincher does something completely different by tackling old Hollywood in his middling new film, MANK.
HIS HOUSE, the debut feature from Remi Weekes, is an eerie and tense ghost story that’s as unpredictable as it is unique.
Aaron Sorkin’s new film, THE TRIAL OF THE CHICAGO 7, is a riveting courtroom drama with a great ensemble cast and relevant story.
The new film from Antonio Campos, THE DEVIL ALL THE TIME, is a dissection of interconnected lives that’s as riveting as it is disconcerting.
Charlie Kaufman’s surreal thriller, I’M THINKING OF ENDING THINGS, isn’t his strongest but still has Kaufman’s distinct flair and intrigue.
Gina Prince-Bythewood’s THE OLD GUARD is a serviceable adaptation of Greg Rucka’s comic series but lacks identity and often fails to entertain.
Altered Carbon: Resleeved, Netflix’s anime companion to their popular television show, is a much more effective attempt at character and world building than its live action counterpart.
Galder Gaztelu-Urrutia’s feature length directorial debut, The Platform, features a relevant analysis on modern day class structure along with some legitimate thrills and gore.