Gina Prince-Bythewood’s THE OLD GUARD is a serviceable adaptation of Greg Rucka’s comic series but lacks identity and often fails to entertain.
Michael Bachochin’s new film, PARALLAX, mixes elements of popular science fiction dramas to lead viewers on a curious journey through a young woman’s life.
RELIC, the debut feature from Natalie Erika James, is an uneasy and suspenseful tale with themes of aging and mortality at its forefront.
Director Zach Gayne’s new film, HOMEWRECKER, is a lot of fun with its creepily obsessive story of a middle aged woman forcing her way into someone’s life.
SHIRLEY, the aptly titled biopic on horror author Shirley Jackson, features a wonderful performance from Elisabeth Moss but loses focus far too often.
BABYTEETH, the feature film debut from director Shannon Murphy, is a heartfelt story of a chronically ill teenager’s relationship with a drug dealer.
Michael Bentham’s feature length debut, DISCLOSURE, is a tense drama bolstered by excellent performances and a realistically distressing script.
The debut narrative feature from Moez Solis, THE MENTOR, is a fun, self aware, and satirical look at filmmakers and filmmaking in general.
While hampered from having a few too many ideas, SAINT FRANCES is a heartwarming tale of friendship, family, and self discovery.
Chris Esper’s new short documentary, YESTERYEAR, is a visual art piece that impacts emotionally with its home movie footage portraying simpler times.