Curt Wiser’s debut feature, Cam-Girl, is a mixed bag as it’s well shot and acted but suffers from audio issues and a story that drags.
In a sea of countless films based on the character, Otto Bathurst’s 2018 version of Robin Hood is as average as a film can possibly be.
Phil Newsom’s debut film, Simple Mind, is a well shot and edited short with a unique twist but suffers from some pesky audio issues.
The six part anthology film, The Ballad of Buster Scruggs, is chocked full of typical Coen brothers tropes that range from ridiculously entertaining to somewhat drawn out and draining throughout its lengthy runtime.
Lisa Brühlmann’s debut feature, Blue My Mind, is an intriguing coming-of-age tale that meanders at times but makes up for it with some spectacular moments of body horror.
A new visual album, entitled Pop Horror Made Me Do It, from artist collective Count the Clock has been released.
Creed II isn’t quite as tight in terms of story as its predecessor but still channels Rocky films of old while delivering the goods most of the time.
Joseph McGovern shows range on his second short film, Hush, as it presents darker subject matter with more concise storytelling than his debut.
The newest season of American Horror Story, subtitled Apocalypse, plays more like a second season of Coven as revisiting past seasons in a convoluted storyline takes priority over an interesting, standalone season.
Steve McQueen’s new film, Widows, isn’t the director’s best but it’s still a solid romp despite being a somewhat generic crime thriller.