David Gordon Green’s Halloween, a direct sequel to John Carpenter’s horror classic, sometimes reaches the heights of the original film but frequently strays due to its messy screenplay and unnecessary characters.
Bradley Cooper’s directorial debut, A Star Is Born, is a well made and emotional tale that’s sure to garner some awards despite some storytelling issues.
With the multitude of films that are released every year, sometimes one just falls through the cracks. Today, we’re reviewing Tobe Hooper’s (and Steven Spielberg’s) Poltergeist just in case you missed it…
Season 4 of the Breaking Bad spin-off, Better Call Saul, is in the books and, as expected, it continues to deliver on every front while inching closer to the events of its predecessor. *Minor Spoilers Ahead*
With the multitude of films that are released every year, sometimes one just falls through the cracks. Today, we’re reviewing Richard Donner’s The Omen just in case you missed it…
After years of anticipation, the fan favorite antihero and villain, Venom, finally hits the big screen yet fails at every conceivable level.
Stephen Cognetti’s Hell House LLC II: The Abaddon Hotel doesn’t quite recapture the magic of its predecessor but it still provides some good moments despite leaving you wanting a little more.
Gregory Plotkin’s Hell Fest doesn’t necessarily do anything original but it’s a solid slasher experience despite some iffy characters.
Sam Levinson’s Assassination Nation seems like it has something to say but its mishmash of style and substance keep it from fully realizing its potential.
Shane Black’s The Predator adds absolutely nothing new to the franchise and is, by far, one of the most disappointing films of 2018.