The newest season of American Horror Story, subtitled Apocalypse, plays more like a second season of Coven as revisiting past seasons in a convoluted storyline takes priority over an interesting, standalone season.
Steve McQueen’s new film, Widows, isn’t the director’s best but it’s still a solid romp despite being a somewhat generic crime thriller.
Orson Oblowitz’s debut feature, The Queen of Hollywood Blvd, is a bit light on story but makes up for its shortcomings with style and technique.
With Netflix’s The Haunting of Hill House, creator and director Mike Flanagan crafts an excellent family horror drama with a haunted house as its backdrop.
The newest entry in the Dragon Tattoo franchise, The Girl in the Spider’s Web, is a far cry from the original Swedish films as well as the 2011 David Fincher version with decent acting buried by a bland story and lack of direction.
The long awaited Queen biopic, Bohemian Rhapsody, manages to hit some excellent highs and some dreary lows while painting Freddie Mercury in a questionable light.
With fresh takes on the horror genre in recent films like Hereditary and A Quiet Place, is Hollywood in the midst of a renaissance of the horror genre?
With the multitude of films that are released every year, sometimes one just falls through the cracks. Today, we’re reviewing Daniel Myrick and Eduardo Sanchez’s The Blair Witch Project just in case you missed it…
Chris Esper’s newest short film, Imposter, provides a beautifully grim, yet powerful, take on anxiety clashing with reality in its brief runtime.
With the multitude of films that are released every year, sometimes one just falls through the cracks. Today, we’re reviewing Tommy Lee Wallace’s It just in case you missed it…
