Sofia Coppola’s new film, ON THE ROCKS, features wonderful performances while feeling reminiscent of her work on 2003’s LOST IN TRANSLATION.
Bryan Bertino’s THE DARK AND THE WICKED continues the filmmaker’s string of quality horror titles but doesnt separate itself from its peers.
The faux-Kazakhstani journalist makes a timely return in BORAT SUBSEQUENT MOVIEFILM which manages to entertain despite some unfunny misses.
THE WOLF OF SNOW HOLLOW is a fun monster tale that’s part Coen brothers humor and part classic werewolf film.
John Hyams’ newest film, ALONE, is a realistic and suspenseful thriller that shows the ugliness of humanity inside the beauty of nature.
Bill & Ted Face the Music is a nostalgically fun trip through time that still manages to bring the laughs despite showing its age.
The new film from Amy Seimetz, SHE DIES TOMORROW, is a mind-bending psychodrama that compels as much as it sometimes irritates.
Karen Maine’s feature length directorial debut, YES, GOD, YES, is a hysterical look at a Catholic teenager’s transition into sinful womanhood.
RELIC, the debut feature from Natalie Erika James, is an uneasy and suspenseful tale with themes of aging and mortality at its forefront.
SHIRLEY, the aptly titled biopic on horror author Shirley Jackson, features a wonderful performance from Elisabeth Moss but loses focus far too often.