HIS HOUSE, the debut feature from Remi Weekes, is an eerie and tense ghost story that’s as unpredictable as it is unique.
Aaron Sorkin’s new film, THE TRIAL OF THE CHICAGO 7, is a riveting courtroom drama with a great ensemble cast and relevant story.
The new film from Antonio Campos, THE DEVIL ALL THE TIME, is a dissection of interconnected lives that’s as riveting as it is disconcerting.
Charlie Kaufman’s surreal thriller, I’M THINKING OF ENDING THINGS, isn’t his strongest but still has Kaufman’s distinct flair and intrigue.
Gina Prince-Bythewood’s THE OLD GUARD is a serviceable adaptation of Greg Rucka’s comic series but lacks identity and often fails to entertain.
Altered Carbon: Resleeved, Netflix’s anime companion to their popular television show, is a much more effective attempt at character and world building than its live action counterpart.
Galder Gaztelu-Urrutia’s feature length directorial debut, The Platform, features a relevant analysis on modern day class structure along with some legitimate thrills and gore.
Though not his best work, legendary director Martin Scorsese returns to his roots with The Irishman, a 3.5 hour long mob epic about the disappearance of Jimmy Hoffa.
El Camino: A Breaking Bad Movie is a welcome return and companion to its flagship series that isn’t a needless addition as it further develops Jesse Pinkman as a character.
Joe Berlinger’s documentary storytelling provides a unique spin on a serial killer in his Ted Bundy biopic, Extremely Wicked, Shockingly Vile and Evil.